Press

“ONE-TWO PUNCH,” the work of Keris Salmon and Travis Somerville.

Mark Taylor, SF/Arts

Photographer’s new exhibit examines legacy of slavery.

Rosalind Bentley, The Atlanta Journal-Constitution

10 Must-See Shows at Black-Owned Galleries You Can View Online.

Benjamin Sutton, Artsy

“One Two Punch.” Guide to San Francisco Arts.

Supplement to the New York Times.

Essay: Joyride

Karen Good Marable, Oxford American

Review: Timely “Corona Greenhouse Blues” through July 30 at Arnika Dawkins Gallery

Virginie Kippelen, ARTS ATL

”The Architecture of Slavery” at the Chrysler shows the social and physical constructs of bondage

The Virginian-Pilot

The Architecture of Slavery on PBS NewsHour

Keris Salmon interviewed by Duarte Geraldino

10 Must-See Artists at AIPAD’s Photography Show

Alina Cohen, Artsy

Artist Keris Salmon ’77 Explores the Slave Narrative

Chapin News

Keris Salmon's haunting canvases pair plantation photos and slave diaries

Keith A. Spencer, Salon

The Forum with Keris Salmon: We Have Made These Lands What They Are

Grace Cathedral, Listen to the Podcast

Lois Reitzes speaks with artist Keris Salmon about her exhibit on view at Arnika Dawkins Gallery “We Have Made These Lands What They Are: The Architecture of Slavery.”

City Lights, WABE Atlanta, Listen to the Podcast

Set in the soaring Grace Cathedral, art show examines the continuing impact of human bondage

Alice Ranahan, Berkeleyside

10 Emerging Black Female Artists to Collect

Shantay Robinson, Black Art In America

Review: Photographer Keris Salmon conjures the voices of slavery’s past at Arnika Dawkins

Malcolm Tariq, ArtsATL

Who Speaks for the Past?

Haber’s Art Review