My current plantation series, Letterpress on Hahnemühle, or cotton rag.
The first of my Plantation Series, this body of work focuses on Wessyngton Plantation, for generations the property of my husband’s ancestors and their descendants.
This photo-collage series documents West-Indian migration to the United States through the experience of one family - mine. The works are made from archival photos and documents, gouache, paper and digital camera. Each palm serves as a reliquary of a collective memory.
Sticking with the concept of architecture, I’ve lately been working with the medium of blueprint, or cyanotype, using the historical photographic process in a contemporary framework.